Introductory Post


Hi, My Name is Louis and I am a 17 year old male studying towards my A Levels at the Latymer School, North London. I study History, English and Media.
My Candidate Number is 0131, and I am part of group 5, alongside Josh Brooks (0110), Vivian Oparah (0621) and Sebastian Hodge (0330).
You can use the labels section on the right hand side of the page to easily navigate my blog, with separate sections for AS, A2, Coursework and Preliminary tasks.
Furthermore there is a link to my school's Media Blog Archive on the right, where you can access all other blogs made at The Latymer School.
Thank you for viewing my blog, I hope you enjoy my work.

Our Music Video


Our Music Video

Our Website

Our Website
Our website

Our Digipak Cover

Our Digipak Cover
Our Digipak Cover

Monday 25 November 2013

Using the internet for promotion

Hobbit :Desolation of Smaug


Example 1

What is it?   
The Hobbit part 2 new 30 second TV Trailer-- online video

What is the source?

Telegraph newspaper (online)

Above or below the line?

Above the line

Who is it attempting to reach?

Middle class adults/ fans of the series or cast or books

How is it a valuable marketing oppurtunity?

Direct reach to specific groups and large numbers


Example 2

What is it?   
Europe premiere comp- trip to Belgium for 2

What is the source?

Cineworld website

Above or below the line?

Above the line

Who is it attempting to reach?

General film consuming audiences/ fans of the series or cast or books

How is it a valuable marketing oppurtunity?

Direct outreach and audience involvement

Example 3

What is it?   
UK Facebook page

What is the source?

www.facebook.com (social network)

Above or below the line?

Below the line

Who is it attempting to reach?

Social network users/ fans of the series or cast or books/ their friends

How is it a valuable marketing oppurtunity?

Wide outreach to  large numbers/ Free and unlimited

Using the internet for promotion



Kill your darlings 

Example 1

What is it?   

Online publication of interview with the director 

What is the source?

waytooindie.com - indie reviews

Above or below the line?

Below the line

Who is it attempting to reach?

Indie fans/ fans of the director/ fans of the cast

How is it a valuable marketing opportunity?

Direct reach to specific groups/ Builds a hype in the indie film culture

Example 2

What is it?   
News report of Radcliffe at Art exhibition

What is the source?

Evening Standard online article

Above or below the line?

Above the line

Who is it attempting to reach?

General public- commuters and londoners/ Radcliffe fans 

How is it a valuable marketing opportunity?

Large outreach- audience informed and entertained

Tuesday 19 November 2013

Release Tracking: Hobbit: Desolation of Smaug





WeWEEK 1


Independent article promoting trailer- audience middle class adults


Interview of musician on sountrack- appeals to british and worldwide fans of artist


Promotion of trailer on mirror website article- UK audience- working class adults(predominantly males)



soundtrack information  via the metro newspaper- young adult/ commuters audience - building awareness


Week 3

Tues 10/12/13

106.2 radio at 3.50

Competition

Release Tracking: Kill Your Darlings





WEEK 1


report of the film at venice film fest- taken from telegraph- middle class british audience


Taken from daily mail article- appeals to fans of actor and newspaper audience - predominantly middle class females


article from daily newspaper- young adult commuters- simplifying difficult topic


Film poster- audience - fans of actor and followers of film - voung adults/ adults

WEEK 2








Week 3




10 Quick Questions: The Hobbit: Desolation of Smaug

1. UK Release Date?

13th December 2013

2. Institutions behind the films production and distribution?

Metro-Goldwyn-Mayer (MGM)
New Line Cinema
WingNut Films

Distributors:

Cocinsa (2013) (Nicaragua) (theatrical)
Forum Hungary (2013) (Hungary) (theatrical)
Warner Bros. Entertainment (2013) (Canada) (theatrical)


3. What's the film's production budget?

Around $250million


4. Nationality of the film?

US/NZ

5.What kind of production is it?

3-D Studio Production

6. Any connection with other films?

Part 2 of a trilogy of films adapting the Hobbit by J.R.R. Tolkien- continues the adventures of the title character Bilbo Baggins on his quest.

7. Who's the director?

Peter Jackson

8. Any star names in the cast?

Benedict Cumberbatch ...Smaug / The Necromancer
Richard Armitage ...Thorin Oakenshield
Orlando Bloom ...Legolas
Martin Freeman ...Bilbo Baggins
Ian McKellen ...Gandalf

9. What is the film about?

The film continues the adventures of the title character Bilbo Baggins as he journeys with the Wizard Gandalf and thirteen Dwarves, led by Thorin Oakenshield on an epic quest to reclaim the lost Dwarf Kingdom of Erebor.

10. Who will this film appeal to?

Fans of the Lord of the rings films or the writer/novel as well as fans of the previous hobbit film and fans of the Fantasy/Drama/Adventure genres.

10 Quick Questions: Kill Your Darlings

1. UK Release Date?

Friday 6th December 2013

2. Institutions behind the films production and distribution?

Sony Picture Classics (United States)
Production Companies:
Killer Films
Benaroya Pictures

3. What's the film's production budget?
Around $2 million

4. Nationality of the film?

American

5.What kind of production is it?

Independent Low Budget Film

6. Any connection with other films?

No

7. Who's the director?

John Krokidas

8. Any star names in the cast?

Daniel Radcliffe . . . Allen Ginsberg
Elizabeth Olsen . . . Edie Parker
Dane DeHaan . . . Lucien Carr

9. What is the film about?

Tells the story of how a murder at Columbia University in 1944 brought together the writers/ poets (Allen Ginsberg, Jack Kerouac and William Burroughs) who would spark the Beat Revolution.

10. Who will this film appeal to?

Fans of drama/thriller/romance genre as well as fans of the actors or the theme of the film-  'The Beats'.

Wednesday 13 November 2013

Papadopoulos & Sons Director Q+A

After having a Q&A session with the Producer of Papadopoulos and Sons, Marcus Markou, there are 5 main things which I feel I have learnt from the discussion:

1)I learnt that Marcus did not produce the film to make money, but that he wanted to make a film based on his childhood realisation, and that the film portrays his personal story of his perspective as a child of the Greek community- represented by Spiros, and the British, represented by the family. In order to fund the film, he put nearly a £1million of his own money into the budget, meaning that he was not concerned about making a profit.

2)Marcus is a strong supporter of self-distribution, therefore utilised his open access to online sites where he had potentially unlimited outreach to users. For example, on the social networking website twitter, he used his account to directly target chip shops, and followed as many as possible to create a large following, and then used this to get them to buy tickets to his screenings or promote the film in store.

3)Due to the tight budget, Marcus decided that he was going to spend as little as possible in as many areas of the project as he could. He decided that he would not directly approach his preferred actors with a proposed payment, and instead sent them a description of his film, resulting in many cast members, such as Frank Dillane, offering to work for free, or minimum costs, meaning he could spend money in other areas, and he recommends this approach to other independent film producers.

4)He also explained how he underestimated how difficult he would find it when taking the role of the director, and that even on his rather small, independent film task, he was still in charge of a crew of 100, and a cast of 17, meaning that it was a very stressful time and required his hard work. He talked about how he lost a day of filming due to unforeseen circumstances, and that it was his job as the director to redesign the script overnight to make up for the loss and save the film.

5)He talked specifically about the importance of marketing to a specific target audience, in this case, the Greek community. He explained that he located all of the Greek churches in London, and found the nearest cinemas to them, from this he was a able to produce a marketing plan, which he used to get his film into Cineworld- screening the film in cinemas specifically within the Greek communities- for example, the cinemas in Enfield and Wood Green to target the specific audience and make the film easily accessible for them.

Sunday 10 November 2013

Papadopoulos and Sons


                  Papadopoulos and Sons- Research

Papadopoulos and sons is a low-budget, British independent comedy film which follows the life of self-made Greek millionaire businessman Harry Papadopoulos and his experience with the economic crisis in Britain, portraying the difficulties he faced after admitting bankruptcy, and the effect it had on him and his family. He is left with no choice but to join with his brother to rebuild the chip shop business they had owned many years ago, flipping his life upside down. Eventually, Harry and his family realise that their new life is better than they thought it would be, and eventually find themselves happier than ever.

Producer

The film was written and produced by Marcus Markou, and was his first film project, with a tight budget of less than £1 million, and worked hard to promote his film independently through word of mouth and online social media. The film was accepted by Cineworld to run for a week in a few screens but eventually showed greater success on a wider scale.

Cast

Stephen Dillane   - Harry Papa

Georges Corraface - Uncle Spiros

Georgia Groome    - Katie Papa
Frank Dillane     - James Papa
 Ed Stoppard       - Rob

Selina Cadell     - Mrs Parrington

Cosima Shaw       - Sophie


Production

After failing to find work as a professional actor, Marcus decided to pursue a career in film making, after being told that this style of writing would be well suited to this. In order to portray the scene of the rival shops, Marcus leased out two shops opposite each other in Morden, East London, and created the chip shop setting, using the kebab shop as a production room, and the city scenes were filmed in central London. The filming took place over 16 days only, so was rapid and precise.
 
Distribution
 
Marcus initially targeted distributors for the film, arranging meetings with many sales agents, however, they all rejected his proposal, so he took it upon himself to self-distribute the film. He also produced a marketing plan and sent it to an individual distributor of cultural films. However, his success came through the use of social media, as he used social networking sites such as twitter and Facebook to widely advertise the film. It was through this and the use of targeting the Greek community through Greek radio that Marcus managed to sign a weeks screening deal at 13 screens through Cineworld. The film grossed an impressive £91,843 in the first 17 days, and its screening was extended and expanded
 

















Marketing & Distribution

Friday 25 October 2013

Sweded Project

 
 
 
 
 
 
 
For the task of creating a sweded film, I worked in a group with Seb and Aidan, and we immediately decided to focus on the film 'King Kong' as it is a classic film with a simple narrative which we all knew. We then selected the four advertising schemes which we individually controlled
 
First we set up a twitter and gained over 250 followers: twitter
 
Then we set up a facebook to gain local recognition: facebook
 
We then posted a video interview with the cast on youtube to gain publicity : Interview
 
 
 We then put this poster up around the school: 
 
 

Wednesday 9 October 2013

Sweded Homework

                           

                             Sweded Films



The word swede is the nickname given to short, low budget spoof remakes of Hollywood films which have been posted online. The term comes from its reference in the 2008 film 'Be Kind, Rewind' as it was used by the main character Mike, played by Jack Black, to describe the amateur interpretations of blockbusters they had mad to prevent losing sales in the video store they worked in after losing all footage. After the film, many viewers were inspired to film their own attempts of sweded films, and post them online, with the concept going viral. Many of these short films use very little technology and props, resulting in amateur footage which is very comedic.


Below are my personal Favourite Sweded films:

Jurassic Park


Taxi Driver



 For my own group's sweded movie, I would like to recreate a version of the recent Hollywood blockbuster Django Unchained, as I believe that it will be reasonably easily achievable to produce in school, as not much scenery is necessary, and puppets and Lego can be used as animals and characters. Also it would be recent and funny, sand we could ask others to act in our film.

Dexter Evaluation Questions

1. Summarise the conventions of title sequences that were most important to this task.

In order to succeed in creating an effective title sequence, it was necessary for us to include the details of the actors and crew involved and highlight their roles, eg. the director/main character. We also had to introduce the genre of the show, and suggest what sort of things would happen in the show, and finally introduce the name of the show, so that viewers can grasp onto it.

 2. How did your group plan to edit the title sequence? (consider timings, industry requirements etc).

As a group, Ellie and I decided that we should retain the red colour that the font of the Title of the show had, in order to keep the subtle, professional look of the sequence, furthermore, we decided to use a similar font to retain the same style throughout, and keep the text clear but not intrusive, so that the viewer could keep trackk and follow the shots in the background. We decided to place the titles both between the action and also within it, with some effects to show its interaction with the video. Regarding timing, we decided to keep the titles short to prevent dominance in the sequence.

 3. Explain the creative decisions made by your group. 

We used the most similar font to the title that we could find in order to maintain style, and kept this the same throughout the sequence, however we changed the font colour to white as we felt that it was a better colour to fit into the sequence, and worked better when effects were added to it. The effects we decided to use were not very bold, as we thought that we did not want them to cause the viewer to detract from the main visual, and also we wanted to retain the professional, subtle style. However, we managed to place some within the action, and used effects to make them appear to react with it.

4. How does your re-edit compare to the original?

In comparison, our edit and the original opening sequence had some obvious similarities, but many differences, for example, the official sequence retained the same font and colour the entire time, simply making it smaller than the title, and moving the titles around the scree, whereas we changed the colour of the font in order to make the titles more subtle. A similar aspect of the two was that they both have similar positioning of the text within the sequence, surrounding the action but never placed directly in front of it, to stay informative, yet subtle. However, the main difference was that the official sequence contained no effects within the titles, whereas ours used a variety to both merge in with the action and also make them stand out to the reader. Apart from this, the titles were rather similar due to their simple actions and style.

Friday 4 October 2013

Preliminary Evaluation




Who did you work with and how did you manage the task between you?

The brief for our preliminary task was to produce and edit a video sequence which tells a story, showing tow people engaging in conversation, and follows the principles of continuity, and I worked together with three other people as a group of four. Within my groups were also Mari, Seb and Vivian- with each of us adopting different roles in the task - with Mari and Seb employing their acting talents, along with Vivian who coordinated the sound and directing, and myself taking position as cameraman. Seb and Mari previously took media GCSE at the school, therefore it made sense for them to act, with Seb the oldest looking, and Mari the youngest, to represent our characters which we envisioned soon after forming our narrative, whereas Vivian and myself felt hat we would like to take control behind the camera, as we have both had less experience doing so, I chose to film specifically due to the fact that it is a task which I have not previously attempted. As actors, Mari and Seb quickly got into role, and remained so for the entire task, and Vivian made sure that both sound and set were ready when recording, and I also tried my best to ensure that the recording was smooth and complete, with enough to edit into a final video.


How did you plan your sequence?What processes did you use? What theories did you try to take into account?

When planning our preliminary film, we used our time in class as a group to first decide on a narrative for the conversation, and then moved on to discuss how we would frame the sequence. We dedicated our first session to coming up with our plan, and then used a storyboard in order to sketch up our sequence to make sure that it made sense and that we would be able to use it direct our shoot. After completing the storyboard, we composed a shotlist in order to plan which types of shots we would employ into the film, and make sure that we would use a range and stick to the rules of continuity. After reviewing all of our plans on paperwork, we used our remaining time to walk through our shoot and make sure that it would flow smoothly and that the shots were possible to take, and once we had finished doing so we were confident that the shoot would be a success, with no continuity errors regarding direction - such as the 180 degree rule.




What technology did you use to complete the task, and how did you use it?

During the task, we used different types of technology- both for the shoot, in which we used digital equipment, and then in the edit when we used computer software. When shooting, we used a Canon DB-30 digital HD camcorder to film the sequence in hd quality to make it seem believable and enable the suspense of disbelief, furthermore we attached the camera to a tripod- this meant that we could easily adjust its position and height smoothly and create a smooth, believable sequence of film. In terms of sound, we attached a shotgun microphone to the camera in order to improve the sound quality- so that only sound in front of the camera was picked up, making the speech more clear and understandable, with a par of headphones attached directly to the camera to assure that the sound was clear whilst recording. Whereas during the editing process, we used the PC software Adobe Premiere Pro in order to produce a final, complete sequence, using the program to select and edit clips and place them onto a timeline, where we could combine them and review the final video before exporting it as a video file.



What factors did you have to take into account when planning, shooting and editing?

When planning our shoot, we first realised that in order for it to be successful visually, we would need to find the correct environment for our scenario - we realised that our media classroom was perfect, as it was a classroom- the setting of our initial idea. Furthermore, we also needed to make sure that there was no sound interference when recording, therefore we decided t film in the isolated media block, as it is well insulated and away from the noisy, crowded school, ensuring clear, understandable. However, we realised that other groups wanted to use the same area as us, so in order to combat this problem, we got permission from our teacher to use the classroom first, and then use the corridor area when our peers had finished their recording there. Once we began filming in the classroom, we realised that we had a slight issue with the layout of tables, meaning that in order to create more space, and improve the shot, we had to move some of the desks away, however thus was not challenging and apart from this there were not any other issues regarding space due to the simplicity of the sequence.



How successful was your sequence? Identify what worked well, and what would you improve?

Overall, i believe that our sequence was successful, as we included everything in the brief- creating and editing a continuous sequence involving a character walking into a room- our schoolgirl played by actress Mari- then sitting down in a chair, and exchanging dialogue with Seb, acting as the girl's corrupt teacher, exchanging dialogue. We also managed to include match-on-action within the sequence- of Mari opening and closing doors and walking into the room- and also demonstrated shot-reverse-shot within the conversation. As a smaller group, Mari and i also managed to edit the video successfully so that it was clearly continuous, with no noticeable flaws. When shooting, as cameraman, i also tried my best to ensure that we had multiple takes of each shot so that we could select the best ones when editing, or if tone turned out to have a flaw when viewed on the computer. However, there were also aspects of the video which were not so successful, when looking back over the video closely, i noticed that sound-wise, at the beginning, you can hear the background noise from outside the building, which was not heard through the headphones, however this doesn't really have a major negative effect as it also unintentionally further alludes to the school setting of the video. Regarding the continuity, i noticed two flaws, the first being that during the conversation, the shot-reverse shots between Mari and Seb's shoulders slightly break the 180 degree rule, as they are not parallel to one another, the other flaw is that the use of  a jump-shot at the end of the sequence as Mari leaves momentarily breaks the 30 degree rule which in effect could potentially confuse the viewer if they happened to notice.

What have you learnt from this task? Looking ahead, how will this learning be significant when completing the rest of your foundation coursework, do you think?

After taking part in the preliminary task, i have gained good experience of working as part of a group , and how to approach the task of continuity, which i have never previously worked on. Furthermore, i have also gained experience with being in charge of the camera whilst shooting, and although it was an interesting and challenging new task, i feel that i would prefer not to retain this position in future tasks, as i prefer being more physically involved- such as directing or acting. Furthermore  the use of the Premiere pro program when editing was a new experience to me, therefore it was interesting to find out how to use it, and very fun when i got the hang of it, and this is definitely something i look forward to doing more of during future tasks. Finally, i feel that by participating in this continuity task, i have broadened my knowledge on continuity, and its importance in film, and i believe that from acknowledging my mistakes, I will now be able to produce a much more effective and professional continuous sequence if i am faced with the task in future, and be able to stick to the 30 and 180 degree rules.




Wednesday 2 October 2013

Art of the Title Grid Activity



We decided that our film should be a thriller/horror film about a boy obsessed with chemistry who wants to create a new drug capable of preserving life and making the user live forever. The film follows the school-aged boy, as he finds his secret place of work - a laboratory underneath his school, and show his lifestyle and what he encounters during his mission. In the film opening, the audience are introduced to the character, the setting and also given an insight into the narrative through the constant portrayal of chemicals and preserved animals.

The opening shows the audience where the character is situated- suggesting that this will be a main scene in the film, and the chemicals and scientific equipment in the room show its purpose and reveal a theme in the film. Another thing shown in the opening is the idea that the character operates secretively, with the night vision effect on the shots suggesting that he works through the night to avoid being noticed by his peers. Further,ore, the warning sign shown on the bottle suggests that what he is doing is highly dangerous- and that he is an evil character.

The titles link to the film idea as the font highlights the genre of the film, and suggests that there is a scientific aspect- with the font style similar to that of the labels on chemical bottles, and used on secret files. Furthermore, the plain white text against the coloured background enables the shots to remain the focus of the opening sequence,and reflect the secretive aspect of the film.

By the end of the sequence, i hope that our audience will be enthralled and excited by the concept of a schoolboy alchemist, and therefore be able to see themselves within the story, suspending disbelief and become engage in order to follow the character on his journey, whilst being scared and unsure of his shady character. Our opening is quite clear as to the theme of the film, however there is an eerie sense of not knowing what the boy is trying to achieve through his twisted chemistry, causing discomfort.

Within our opening we included an establishing shot in order to set the scene of our film, and suggest that it shall entail an underground, dangerous series of events for the character and the audience who follow him. Also, we used titles in order to keep to the structure of every successful film, introducing the director,producer, actor and finally ended with the film title -  alluding to the main story-line  A third feature was the montage of the science-related objects, and dead animals, in order to set the mood of the film and to highlight the twisted aspect of the film, with all shots of the same dark, dirty effect not dissimilar to the tasks that the character shall be carrying out in the film.

Overall, i believe that our project is an effective opening to a certain extent, as it highlights the key features of the film - eg. the genre, basic story line  characters actors and setting in a believable and engaging way. Also, the layout of the shots is the same as conventional films, making the sequence easy to follow, with the visual effect distorting reality and creating a sense of horror/thrill. On the other hand, it could be said that the sequence is unsuccessful, for example, the constant use of close-ups makes it hard to follow the story-line of the sequence, and it is not very clear as to what the boy is trying to achieve, Furthermore, the  sequence does not seem to flow very smoothly, making it less successful at suspending belief,and only the main character is introduced, therefore the setting and motive of the film are not very clear.


Thursday 26 September 2013

Film Opening Continuity task






The opening to the Shining begins with an extreme longshot establishing the setting of a large natural lake surrounded by mountains and forests., this shot  tracks in towards a focal point as if imitating the flight of a bird, from its perspective. The shot then arcs to show a better view of the mountains, before dissolving into an extreme aerial shot, tracking to show the subject of the scene, a car, from the rear which it follows. This then cuts to another extreme long shot, this time at a high angle, continuing to follow the lone car on its long  journey through the setting. Again, the sequence cuts to an extreme aerial shot continuing to track the car, however this time tilting and arcing as it tracks in to the car, as a close-up, before tracking back out into the sky again. Another aerial shot is then used to show the car continuing on its seemingly endless journey, until the car is shown passing two cars- suggesting that they are not quite isolated, however, it then cuts to a much longer establishing shot to show a much darker area, before cutting to another establishing shot of a snowy landscape, and in the final shot, zooms into a large building- suggesting this is the setting of the film.

Within the sequence, all of the shots are long-range or aerial and are all positioned from behind the subject - the car, therefore make the audience feel distanced from the characters and aware of the setting, with the entire sequence consisting of the camera tracking to follow the car, at the sam constant smooth speed to make it seem realistic.

 As for the editing of the sequence, the quick clean cuts make it clear that it is a continuing narrative, with the occasional fade effectively highlighting the change of setting. Furthermore, the length of the opening is long enough to show to true isolation of the setting, but too long as to mislead the audience or bore them, along with the soundtrack this alludes to the horror genre of the film. 

Continuity wise, the sequence is seamless, with the smooth flow causing suture, and suspending the audiences disbelief, neither the 180 or 30 degree rules are broken, as the camera remains behind or above the subject the entire time, with the shot order structured to  introduce the setting, before focusing on the characters car, then returning to  show the location. Additionally, the match cuts show the pace of the car continually driving, and the fades indicate the change in time as a new setting is shown further along the journey, with match -on action consistent to allow the audience to feel as if they are a bird following the car on its long journey.

Wednesday 25 September 2013

Continuity task




In order to maintain continuity within our accident sequence, we used a master shot to introduce the setting of the scene- a sports field and hurdles, and to show the main character. Then we cut to a mid shot to show the main character's expression and highlight that he is warming up to run over the hurdles. We then cut to a rear shot of the character preparing to run, sticking to the 180 degree rule, and made sure that the cut seemed to continue from the last smoothly. We then cut to another low-angle shot of the character continuing to run, again turning 180 degrees, and then a side-on shot of the character continuing to his last hurdle, and beginning to fall, before cutting to a low angle close up showing the character lying on the floor to show that he has fallen - overall a range of shot types were used.

In hindsight, in order to improve the narrative flow of the accident sequence, I could have included a wider range of continuity techniques. For example, I could make sure that every cut in the sequence applies match on action, so that the scene flows realistically and smoothly. Also, I now know that when filming, we broke the 180 degree rule, in the two last shots, this could make the accident look less believable and made the overall sequence confusing, as it looked like the character had changed directions. To improve this, I would keep the camera in the same direction as the other shots to ensure match-on action.

Tuesday 17 September 2013

Film Opening Analysis

Film Opening Analysis - "Full Metal Jacket"

Genre: War/Drama


Summary of Sequence

The opening scene for the film begins with old-fashioned war-related music playing in the background - showing that it is set in the past, with a fade into the logo of the producers of the film - Warner Brothers, and then continues to the title sequence - first, text stating the producer's name, and then in larger text, the name of the film. This then cuts to the close up of a sad looking man in his early twenties having all of his hair shaved off in what appears to be a small barbers, and then cuts to many more close ups of men having their hair shaved off, looking miserable, before ending with the shot of a pile of hair on the floor, with the music fading out.

Events & significance in narrative

The introductory music is relevant to the story as the lyrics describe how many American men are having to join the army to fight in a war in Vietnam, suggesting that this is what the film will be about. Furthermore, the fact that many different men are all having their hair cut off at the same time reinforces the idea of joining the army, with the focus on their negative facial expressions suggesting that they do not really want to have their hair cut or join the army. All the events link together and are in the same short time frame therefore we can establish that the film will follow the characters through the war.

Characters

In the opening scene, many characters are introduced, however they are all adult males of the same age group, and we see them all getting their hair cut at the same time, suggesting that they are together, and will be part of the same group in the army. The fact that it does not focus on any specific one of the characters suggests that there may not just be one main protagonist, and that we will see what they are all like and their relationships with each other.It is not clear as to the role of each character, leaving the audience wanting to find out more about them.


Information Revealed

From the scene, there is some specific information about the film which we can gather - for example, the soundtrack makes it clear that the film is set in the past, and that the film is either set in America, or the characters are American. Also, the way that we follow all of the men getting their hair shaved suggests that they are joining the army, and they all look pretty reluctant, so we know that they do not have a choice as to what they are doing.The lyrics of the song also suggest that the characters will be sent to Vietnam to fight in the war for their country.However, it does not reveal who the characters are and what their personalities are like, or whether they know each other, therefore the audience are left wanting to find out more.

What I need to show in my film

I believe that in order for my own opening sequence to be successful, I must use an establishing shot to introduce the setting of the narrative, and then introduce the protagonist(s), however not reveal much about them, to give the viewers the ability to construct their own ideas to what the film could be about. I was also use the soundtrack of the film to allude to what it is about, and include a couple of close-up shots of objects relevant to the story line (eg. a murder weapon or bloody cloth). I will probably end the sequence with titles, firstly showing the director, and concluding with the name of the film in bold to grasp the viewers attention and suspend their disbelief.

Monday 16 September 2013

Reflection On Shot


Shot Description

This is a medium close-up two shot showing a teenage male and female together in the setting of an old fashioned building facing a stage/platform and a cupboard with a large cross upon it. The shot is taken from behind at a straight angle, to give a rear view of the characters and make the audience feel like they are within the building. The focus of the shot is the two bodies are both sitting on separate chairs, however it is a soft focus to show that the setting of the shot is also relevant to the genre. Along with this, there are no bright colours within the shot, reflecting the negative mood of the characters. The light is natural to show that the film follows the daily lives of the characters, and their placement- separated by chairs, yet in each others arms- suggests that they have come to the setting together, and appear to be upset - alluding to the genre of teen drama.


How I achieved the shot

In order to achieve the depiction of this genre, I selected a large, empty school hall as the setting of the shot in order to highlight the fact that the characters are distressed and alone. Furthermore, I felt that a shot from behind of the characters would be more effective as it makes it appear as if the characters are looking up to the elevated platform in front of them for the guidance from somebody.

What is successful about the shot?


One of the successes of the shot is the use of the crucifix in the corner effectively alludes to their desperation. The use of medium close up was also essential as it enabled me to reveal the age of the characters and their relationship, however not reveal their faces, to leave the viewer anxious to identify the two troubled figures.

Possible Improvements

I believe that in order to make my shot more effective and clear as to which genre the film is, there are a few improvements that could be made, the first of these being the alignment of the shot,  if the framing was adjusted, it would be more clear of the size of the building, making the setting more clear. Another improvement would be to give the characters props to show what sort of people they are, eg. bags to show that they are on the move. Furthermore, the characters postures could be adjusted to reflect their roles in the film more clearly, eg. the male with head in hands, also, the image could be saturated to reflect the negativity of the story-line.